DISBOOK #7 - Novembre 2015 - (Page 88)

DISBOOK #7 | 2015 - trends & BUsiness how dUbbiNG is ChANGiNG ThE film iNdUsTrY oN ThE AfriCAN CoNTiNENT By Peterson Tumwebaze Unless you are watching a silent comedy like Mr. Bean, there is no film worth a single minute when the language is strange to the viewer. there were times in the yesteryear when many films were too limited in viewership, largely because of the language used. the concept of subtitles would come later to break the language barrier. But it had little appeal, as many consider it an eyesore, and that it detracts from the action, since one has to read the fast subtitles as well as watch the film. Early dubbing's forerunners were colonial cinema narrators, who interpreted live while standing next to the screen. This form of live interpretation of film has still survived in Kenya and Uganda, where so-called veejays (video jockeys) comment live on foreign filmshow in video clubs (Photo Andrew Tshabangu , 2011, Courtesy Gallery Momo). 88 over time, local 'geniuses' in some parts of africa like in Uganda and Kenya sought out a way to ensure that language was not entirely a barrier in the enjoyment of films. the development of live interpretation of films, a dubbing concept that mushroomed around Uganda and Kenya-the so-called veejays (video jockeys) are very much in business in these countries to-date, where they

Table des matières de la publication DISBOOK #7 - Novembre 2015

COVER
CONTENT
FOREWORD
THEY REALLY SAID THIS!
FILMING IN SOUTH AFRICA
MEET YOUR STARS
CHINA: DISCOP AFRICA 2015’S GUEST COUNTRY
PROUST QUESTIONNAIRE WITH KAGISO LEDIGA
THE NEW COMEDY SCENE IN SOUTH AFRICA
NOTED
PORTRAITS OF 5 AFRO-ENTREPRENEURS
DOSCOPRO 2014
TRENDS & BUSINESS
DISCOP AFRICA ABIDJAN 2014: THE PHOTO ALBUM
THE IMPORTANCE OF DUBBING

DISBOOK #7 - Novembre 2015

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